Venice Red Carpet 2025: Glamour, Predictability, and a Few Genuine Surprises
PetitePaulina – The Venice Film Festival’s red carpet has always been synonymous with glamour, but this year it doubled as a stage for designers making their debut at powerhouse fashion houses. While the spectacle was dazzling, some moments felt more calculated than groundbreaking. Still, a few standouts managed to cut through the predictability and deliver looks worth remembering.
Versace: Dario Vitale’s Low-Key Debut
All eyes were on Dario Vitale as he presented his first outing for Versace. Julia Roberts, styled by Elizabeth Stewart, embodied his vision in two contrasting looks. For a morning press conference, Roberts appeared in a relaxed blazer-and-jeans ensemble, understated yet chic. Later that evening, she stunned in a sleek black gown, modern and polished, albeit far removed from the brand’s signature flamboyance.
Amanda Seyfried echoed Roberts’ daytime look days later. Though stylish, her repetition leaned more towards performance than authenticity, raising questions about how eco-conscious styling choices truly are in Hollywood. With both actresses sharing the same stylist, the echo felt less like coincidence and more like strategy.
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Dior: Jonathan Anderson’s Elegant Subversion
At Dior, Jonathan Anderson’s touch was subtle but noticeable. Alba Rohrwacher appeared regal in midnight-blue haute couture, classic yet reimagined with Anderson’s slightly rebellious twist. Monica Barbaro offered sophistication in a black pleated gown with a statement bow, while Andrew Garfield stole the internet in a cable-knit sweater paired with Dior sneakers.
Social media exploded with comparisons to pre-AI J.Crew catalogs, a sign of how closely red-carpet fashion is scrutinized today. Anderson is clearly holding back his boldest statements for the runway, but Venice provided a glimpse into his evolving formula.
Chanel: Tilda Swinton’s Timeless Authority
Few stars command red carpet authority like Tilda Swinton, and this year she proved once again why. Wearing Chanel, Swinton combined a crisp white silk blouse with ruffled cuffs and a sweeping black mikado skirt, embodying effortless elegance. While it remains uncertain if this was a teaser of Matthieu Blazy’s Chanel direction, the look was undeniably flawless.
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Bottega Veneta: Louis Trotter Steals the Spotlight
If there was a clear winner this season, it was Bottega Veneta under Louis Trotter. Jacob Elordi turned heads in a boxy tuxedo by night and an all-white daytime look by day, evoking the nostalgia of early 2000s Dolce & Gabbana models. Meanwhile, Vicky Krieps dared to be different in a sculptural black gown accented with leather and paired with striking pink hair. It was one of the rare moments on the carpet that felt genuinely futuristic rather than retro or recycled.
The Missing Sparkle
Jewelry played a supporting role at this year’s festival. While there were scattered appearances of statement pieces, the absence of a jaw-dropping jewelry moment was palpable. The lack of drama in accessories underscored the event’s overall theme: polished, yes, but often predictable.
Final Thoughts
The Venice red carpet of 2025 balanced glamour with caution, introducing new designers while staying within safe boundaries. Versace and Dior offered refinement, Chanel delivered timeless elegance, and Bottega Veneta proved the most daring. Still, the event highlighted a broader truth: in the age of social media micro-criticism, every outfit is analyzed endlessly, and true originality is harder than ever to achieve.